Nebula Part III & IV Available Now From TBFE

Howey says:

After watching, and rewatching SEVERAL parts, I’ve come to this conclusion.

Some have said Nebula Parts III and IV are too much. They say they are too degrading. However, those who have ventured through the dark hallways of Reddit would describe most of this as “mild.” Those that have explored the dark side of KiK (you poor souls) will call this “Tuesday.”

Yes, taken as it is, it is a complete degradation and humiliation of a former heroine who cannot fight back. But the mistake is looking at it as a serial instead of one LARGE project. When put under the whole Nebula banner, Parts III and IV aren’t “disgusting.” They are the finishing touches on one long story of enslavement and subservience.

As for the product itself: It is awesome. It is amazing. I want it to win awards. I want to create an award to give to it.

I will say that some of the cinematography seemed a bit unnecessary, or pointless. And the whole “lamp” bit seemed a little ridiculous. It was just a tad too much. However, there were some shots and angles I never would have thought of that only increased the feeling of being right there and a part of this utter humiliation. That is something special in a genre that is beginning to feel played out.

The story is near perfect. I am always partial to an auction, but it’s not necessary. I did need one or miss it here. The beauty here is not in the sex. It’s in the humiliation. In my own stories, I try to find ridiculous, humiliating situations for my own damsels with sex as an afterthought. It was written so beautifully (or horribly, depending on how you see it) here that I was constantly wishing some strapping night would pick our heroine up and save her from this humiliation. But I also wanted to see Wonder Woman drag our heroine across the floor by her hair to see just how much worse it could get for poor Supergirl.

And who better to play the villains than O, Kayla, and company? They were exquisite. I felt, and saw, that they had no sympathy for their slave. There was a hate and malice to there performance. But it was also nuanced with a bit of “loving mommy/mistress” vibes. Very hard to do, but very well done!

BUT the pièce de résistance, the chefs kiss, the personification of perfection is Coco. The writing is dark. It is sadistic. It is seemingly made specifically for her. And she takes it! She allows it! She plays humiliation better than anyone in the business currently (even my previous Queen, Christina Carter). If you were to compare this film to her earlier work, so can see the growth of an actress in the fall of this heroine. There is simply no one better, and I have officially implored Coco never too retire again (and I actually received a reaction)!

Finally, let’s just say it was perfect. In its imperfections, it was still greater than anything produced here in months – if not over a year. Once again, something new has been discovered in an otherwise repetitive genre.

(On another note: can be add ABDL to the genre? Would that spice things up? Coco turned from Supergirl to Super Brat)